Mauve Ombre Wood Wall Art
- Texture you can see from across the room
- Warmth a flat wall cannot give
- Presence at the size you actually need
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14-day returns
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Made to order in 3–5 days · arrives –
Wrong size? We swap it once.
Sizes are hard to judge on a screen, so you are not stuck with the guess. Tell us within 14 days and we will make the piece again in the size you need — one swap per order. You cover the return shipping, we cover the new piece.
None of these sizes fit?
Send us the wall measurements and we will build the piece to them — the same wood, at your dimensions.
Modern wooden wall art featuring a soft ombre transition from natural wood and creamy white to dusty mauve, blush, and deep purple tones. Crafted in a unique 3D pixel style, this wood wall decor adds warmth, texture, and elegant geometric depth to contemporary interiors.
The dimensional wooden blocks also help scatter sound reflections, making it a decorative sound diffuser panel and stylish acoustic wall decor for living rooms, offices, studios, and creative spaces.
How to use Live VR feature:
- Open the VR preview;
- Make sure there is enough light;
- Move your phone around till the decor appears;
- Then move the decor around with you fingers and place it in the desired place;
- Take a look;
🌳 Material & Craftsmanship
Each piece is built from solid pine, cut into several hundred blocks and set by hand in our workshop in Latvia. Every block is sanded and finished individually, then mounted at a slightly different depth so the surface catches light from every angle.
Nothing is machine-placed. That is why no two pieces are identical, and why the grain on yours will not match the one in the photograph.
The pine is kiln-dried before cutting, which is what keeps the blocks stable once they are on a wall. Each one is finished by hand with a clear matt oil, so the grain stays open to the touch rather than sitting under a film of lacquer.
🧷 Installation & Included Hardware
Every piece arrives ready to hang. A mounting rail is already fitted to the back, and the fixings are in the box.
On plasterboard, use the wall plugs supplied. On brick or concrete, drill and plug as normal. At the larger sizes it is much easier with two people — one to hold, one to level.
The larger sizes are heavy, so treat them like a shelf rather than a picture. On brick or concrete, drill and plug as normal. On plasterboard use a proper hollow-wall anchor rather than a basic plug, and fix into a stud where there is one.
🚚 Delivery & Returns
Everything is made to order, so allow a few working days in the workshop before your piece is dispatched. The delivery estimate above the Add to cart button shows the dates that apply to your country.
Shipping is free worldwide and fully tracked. If the piece is not right for the space, you have 14 days to return it.
Return shipping is at your cost unless the piece arrived damaged or was not what you ordered, in which case we cover it. Made-to-measure commissions are built to your dimensions and cannot be returned.
⚙️ Customization & Sizing
Not sure which size? The tiles above are drawn to scale against each other, so you can compare them at a glance, and the room photographs further down show the pieces next to furniture rather than against a blank wall.
A rough guide: measure the furniture the piece will hang above, and choose a width around two thirds of it.
If none of the standard sizes suits your wall, we take commissions. Get in touch with the width and height you need.
If none of the standard sizes suits your wall, get in touch with the width and height you need and we will quote.
Choose options
Scale, not measurements
See it in a real room
Photographed at domestic scale, so you can judge the size against furniture instead of against a number.
Why wood, not a print
What it brings to your room
Sound that softens instead of bouncing
Several hundred blocks set at different depths scatter sound rather than reflecting it straight back at you. In rooms with bare walls and hard floors, that takes the hollow edge off conversation and music. It is the same physical principle behind studio diffusers — in a piece you would hang for how it looks.
Texture you can see from across the room
A print gives you an image. This gives your wall a surface. Light moves across several hundred different angles through the day, so it never looks flat, and never looks quite the same twice.
Warmth a flat wall cannot give
Real pine, cut and finished by hand. Wood does something to a room that paint and paper do not — it takes the hardness out of the corners.
Character, because no two are identical
Every block is placed by hand in our Latvian workshop. The grain, the tone, the way light catches the edges — yours will not be the same as the one in the photograph.
Presence at the size you actually need
Sizes from 30 cm square up to 244 cm wide. Large walls swallow small prints. This fills the space it is given, whatever that space is.
Questions people ask
The usual guide is to fill about two thirds of the width of whatever the piece hangs above — a sofa, a sideboard, a bed. Measure that furniture, take two thirds, and pick the closest size.
For a wall with nothing beneath it, go larger than feels safe. Pieces almost always look smaller on a wall than they do in a photograph. The size options above are drawn to scale against each other, and the room photographs further down show the pieces next to real furniture rather than on a blank wall.
A mounting rail is fitted to the back, so hanging it is one level screw line rather than balancing a heavy panel on two hooks. The fixings are in the box.
The larger sizes are genuinely heavy — solid pine, several hundred blocks — so treat them like a shelf rather than a picture. On brick or concrete, drill and plug as normal. On plasterboard use a proper hollow-wall anchor rather than a basic plug, and fix into a stud if there is one where you need it.
From about 138 cm wide it is much easier with two people: one to hold, one to level.
Yes, a little, and that is normal for solid wood. Strong direct sunlight will lighten the pale blocks and deepen the darker ones over a few years, so the contrast softens rather than fades away.
If the wall gets hard afternoon sun for hours at a time, expect the change to happen faster. Away from direct sun it stays very close to how it arrives.
A kitchen is fine. Everyday cooking humidity is not a problem, though we would keep it off the wall directly behind a hob, where heat and grease both reach.
A bathroom with a shower is not a good idea. Repeated steam moves solid wood, and over time individual blocks can lift or cup at the edges. A cloakroom without a shower is fine.
The same reasoning applies to a conservatory that swings between hot and cold: the wood will be happier on an interior wall.